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Home ▸ Catalog ▸ Themes & Provenance ▸ Types ▸ SculptureView Options:  |  |  | 

Sculpture on Ancient Coins

Many of the images of gods and goddesses on ancient coins were derived from sculptures. The coins on this page depict known sculptures or images that are clearly taken from sculpture.

Severus Alexander, 13 March 222 - March 235 A.D., Alexandreia Troas, Troas

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Hercules is depicted in the same pose as the Farnese Hercules, a massive marble sculpture, which depicts a muscular yet weary Hercules leaning on his club, which has his lion-skin draped over it. He has just performed the last of The Twelve Labors, which is suggested by the apples of the Hesperides he holds behind his back. The Farnese Hercules is probably an enlarged copy made in the early third century A.D., signed by Glykon, from an original by Lysippos that would have been made in the fourth century B.C. The copy was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where it was recovered in 1546. Today it is in Naples National Archaeological Museum. The statue was well liked by the Romans, and copies have been found in many Roman palaces and gymnasiums.
RP72147. Brass AE 24, Apparently unpublished, perhaps unique; Bellinger Troy -, BMC Troas -, SNG Cop -, SNGvA -, SNG Munchen -, SNG Tub -, SNG Turkey -, Lindgren -, VF, well centered and struck, grainy surfaces, weight 7.816 g, maximum diameter 23.7 mm, die axis 45o, Alexandria Troas (Eski Stambul, Turkey) mint, 13 Mar 222 - Mar 235 A.D.; obverse M AV S AL-EXANDRV, laureate, draped, and cuirassed bust right, from behind; reverse COL AL AVG - TROAD, Hercules standing right, nude, right hand behind back presumably holding apples of the Hesperides, leaning with left hand on his club, which has the Nemean Lion's skin draped over it; the only example known to Forum; $200.00 (Ä178.00)

Probus, Summer 276 - September 282 A.D.

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To the ancient Romans, Rome was "Roma Aeterna" (The Eternal City) and "Caput Mundi" (Capital of the World). The empire is history but Rome is still today, the eternal city. Rome's influence on Western Civilization can hardly be overestimated; perhaps a greater influence than any other city on earth, making important contributions to politics, literature, culture, the arts, architecture, music, religion, education, fashion, cinema and cuisine.
RA74530. Billon antoninianus, RIC V, part 2, 186; Cohen VI 532; SRCV III 12027; Pink VI-1, p. 56, EF, well centered, excellent armed bust, near full silvering, weight 4.284 g, maximum diameter 23.1 mm, die axis 180o, 3rd officina, Rome mint, emission 3, 278 A.D.; obverse IMP PROBVS AVG, radiate, helmeted and cuirassed bust left, spear in right hand over right shoulder, shield on left arm; reverse ROMAE AETER (eternal Rome), six column temple, statue of Roma seated facing within, Roma holds Victory offering wreath in her right hand and long scepter vertical in her left hand, R*Γ in exergue; $120.00 (Ä106.80)

Ancient Coins Illustrating Lost Masterpieces of Greek Art

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Using the finest coins from all of the museums and collections of Europe, F. W. Imhoof-Blumer and Percy Gardner, both outstanding numismatist and archaeologists, compared the works of art shown on coins with the descriptions of Pausanias, a traveler in Greece during the second century A.D. They then compiled their Numismatic Commentary to Pausanias which is here revised and enlarged with translations of the original Greek texts, additional plates, and a completely new section concerning the coins of Athens.
BU65126. Ancient Coins Illustrating Lost Masterpieces of Greek Art by F. Imhoof-Blumer & Percy Gardner, edited by Al. N. Oikonomides, 1964, 36 plates, 176 pages, dust jacket, used, Argonaut, Inc., 1964; $30.00 (Ä26.70)


Catalog current as of Wednesday, March 29, 2017.
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