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In Greek mythology, the Sirens were dangerous creatures, who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. In early Greek art, Sirens were represented as birds with large women's heads, bird feathers, and scaly feet. Later, they were represented as female figures with the legs of birds, with or without wings, playing a variety of musical instruments, especially harps. Later Sirens were sometimes depicted as beautiful women, whose bodies, not only their voices, were seductive.SH84464. Electrum hemihekte, Unpublished in major references; Naville auction VII (1924), Bement Collection, lot 1435; CNG, Triton XI (8 Jan 2008), lot 253, aEF, tight flan, earthen deposits, weight 1.367 g, maximum diameter 8.8 mm, Ionia, uncertain mint, c. 600 - 550 B.C.; obverse siren standing left; reverseincuse square punch; ex Numismatica Ars Classica, auction 92, part 2 (24 May 2016), lot 1476; this type is not published in the major references but many examples are known from auctions; rare; $1200.00 (€1020.00)
Etruscan, Bronze Ladle Handle, 6th - 5th Century B.C.
Ex Museo Nazionale di Villa Giulia; ex Ran Ryan, from the collection of Alex G. Malloy. Museo Nazionale di Villa Giulia was founded in 1889 in the Villa di Papa Giulio (Pope Julius), built in the mid-16th century for Pope Julius III. Today the museum is devoted to pre-Roman antiquities, from Umbria, Latium, and southern Etruria. In the 1950's the museum sold Roman antiquities to Rex Ryan, a dealer with a shop in Rome. Alex Malloy, an antiquities dealer in for 40 years, purchased some of these antiquities, including this piece, from Rex Ryan, in 1974.
Greek, Etruscan and Roman bronzes by Gisela Richter notes, "the shape is distinguished for its grace and simplicity" and "ladles of this type are commonly found together with black-figured and red-figured vases in tombs in Etruria." AM12357. Bronze ladle handle; cf. Richter 648; 14 inches long; bifurcated top, each end with a duck head terminal (one head missing); green patina, $155.00 SALE PRICE $127.00 ON RESERVE
Sardes, Lydia, c. 133 B.C. - 14 A.D.
Sardis was the capital of the ancient kingdom of Lydia, one of the important cities of the Persian Empire, the seat of a proconsul under the Roman Empire, and the metropolis of the province Lydia in later Roman and Byzantine times. Its importance was due first to its military strength, secondly to its situation on an important highway leading from the interior to the Aegean coast, and thirdly to its commanding the wide and fertile plain of the Hermus. As one of the Seven churches of Asia, it was addressed by John, the author of the Book of Revelation in the Holy Bible, in terms which seem to imply that its population was notoriously soft and fainthearted. Remains including the bath-gymnasium complex, synagogue and Byzantine shops are open to visitors year-round.GB86476. Bronze AE 20, SNGvA 3129; SNG Mün 463; SNG Tüb 3784; SNG Righetti 1079; Weber 6901; SNG Cop 463 var. (control); BMC Lydia p. 242, 49 ff. var. (control), VF, well centered on a tight flan, weight 8.099 g, maximum diameter 20.1 mm, die axis 0o, Sardes (Sart, Turkey) mint, c. 133 B.C. - 14 A.D.; obverse turreted and veiled bust of Tyche right; reverseZeus Lydios, wearing himation and chiton, standing left, eagle in extended right hand, scepter in left hand, monogram (control) lower left, ΣAP∆IANΩN downward on right; $120.00 (€102.00)
Caria, Uncertain City (probably Mylasa), c. 420 - 390 B.C.
Among the smallest coins ever minted.GA76794. Silver tetartemorion, SNG Kayhan 940 - 943, SNG Keckman I 926, VF, weight 0.150 g, maximum diameter 5.7 mm, die axis 165o, Carian mint, c. 420 - 390 B.C.; obverse forepart of lion right, head turned back left; reverse bird standing left within incuse square; $100.00 (€85.00)