Statuary Coins

by Federico Morando

This very short article will compare some statues of Roman Emperors with similar portraits on ancient coins: to do so, I'll use some photos I took in Toulouse (France) and some coins selected from Forum catalogue.

The Musée Saint-Raymond (Musée des Antiques or Museum of Ancient Artifacts) of Toulouse (France) is known in particular for its exceptional collection of sculptured Roman portraits.

The most impressive part of this collection – a long gallery of heads and busts of Roman Emperors (and their wives or other important persons, in some cases) – comes from the ruins of the Roman villa of Chiragan near Martres-Tolosane. This is not a new discovery: the luxurious villa, adorned with marble of all sorts, had been discovered in 1826 and the first publication has been done in 1901 by the archaeologist Léon Joulin. But the exposition has recently been completely renewed and new pieces are now exhibited.

The gallery of Roman Emperors from Chiragan

In other parts of the same Museum you can also admire some other statues, which are coming from different places, in particular from the forum of Béziers (discovery of April 1844), another village near Toulouse.

In general, these items are all coming from the southern provinces of Gaul, but have been probably realised in Rome itself to be sent there as an instrument of propaganda to spread the image of the Emperor, and – maybe – even to inspire the celators of the mint of Lugdunum, because coins were an active part of the “communication system” spreading the image of the Emperor through the Empire…

Apart from giving you the previous short introduction about the origin of the images I’m going to show, I don’t want to bore you with too many words: these statues are speaking better than me! But let me give you a couple of other notices concerning these images.

First of all, I have to apologize to serious lovers of ancient sculpture: they like to see statues with real light playing on them in the round and I transformed the images into cameo thumbnails with black background. This is the kind of elaboration performed in the "vilest tourist publications for sale in kiosks" (to use the description of a very serious art lover, honouring us with her comments on the discussion board: Patricia Lawrence): I've done this modification (deturpation?) in order to have an acceptable degree of homogeneity between different images in the layout of this web page, but I understand that this is a meretricious use of art, because I enslaved the original artwork to a prosaic presentation in a web page. Fortunately I can do something to offer a (partial?) remedy: it is possible to see at least the original picture by clicking on the "cameo" and - in several cases - it is even possible to see two or more pictures taken from different angles, so that you can get a feeling of the three-dimensionality and solidity of the sculpture, while I was walking around them with my camera. (Unfortunately, since I'm not a very good photographer and since it is not possible to use tripods and flashed in French museums, some of my shots were so bad that I do not have a decent complete set of images for all the statues.)

Moreover, the obverse/reverse image of the coins will be visible by clicking on them (the images and descriptions are taken from Forum catalogue - as you may see from the catalogue number - even if some of the coins are now in my collection as well). Clearly, coins too would be nicer if seen from several angles in a three-dimensional space, especially the denarii of the first century of the Empire with their high relieves: the nice thing is that you don't need to travel too much to handle one, since these coins - reproducing in such an impressing way the sculptures of the time - are generally quite inexpensive.

To conclude, if you want to get the real feeling of a gallery with the portraits of some of the greatest emperors, you can always go to Toulouse and see this beautiful museum: at the end of the gallery, if you're not astonished enough, you may see a genealogic three of roman emperors created using their aurei (if existing) and denarii... And - in any case - you have quite a lot of other reasons to visit Toulouse, including other museums and works of art and the beautiful pilgrimage church of St-Sernin (which is at a few meters from the Museé Saint-Raymond).



Obverse/reverse image


From the forum of Béziers.

10042. Silver denarius, RIC 178a, S 1610, BMC 476, VF, 3.7g, 19.1mm, 180o, Lugdunum mint, 15-13 B.C.; obverse AVGVSTVS DIVI F, bare head right; reverse IMP XII, bull butting left; rare (R2).


Obverse/reverse image


From the ruins of the Roman villa of Chiragan.

6252. Silver denarius, RSC 43c, RIC 208, BMC 536, S 1578, F, 3.38g, 17.8mm, 0o, Lugdunum mint, 2 B.C. - 5 A.D.; obverse CAESAR AVGVSTVS DIVI F PATER PATRIAE, laureate head right; reverse C L CAESARES AVGVSTI F COS DESIG PRINC IVVENT, Caius and Lucius Caesars standing facing, shields and spears between them, above center left simpulum right and above center left lituus left; dark toning.


Obverse/reverse image


From the ruins of the Roman villa of Chiragan.

3211. Silver denarius, RIC 174b, RSC 100, BMC 359, VF, Rome mint, 3.09g, 18.6mm, 180o, 103-112 A.D.; obverse IMP TRAIANO AVG GER DAC P M TR P, laureate bust right, drapery on far shoulder; reverse COS V P P S P Q R OPTIMO PRINC, trophy on stump, tunic with helmet on top, one round shield and two rectangular shields as arms, two swords and two javelins at base.


Young Marcus Aurelius

Obverse/reverse image


From the ruins of the Roman villa of Chiragan.

15730. Silver denarius, RIC 424a, C 451, VF, flat centers, weak legends, 3.062g, 17.5mm, 0o, Rome mint, as Caesar 140 - 144 A.D.; obverse AVRELIVS CAESAR AVG PII F COS, bare head right; reverse PIETAS AVG, sacrificial implements (knife, sprinkler, ewer, lituus and simpulum); lightly toned.


Older Marcus Aurelius

Obverse/reverse image


From the ruins of the Roman villa of Chiragan.

12556. Silver denarius, RIC 259 var (not listed with this bust type), BM 557 note, choice VF, Rome mint, 3.254g, 18.71mm, 45o, 172 A.D.; obverse M ANTONINVS AVG TR P XXVI, laureate, cuirassed bust right, seen from behind; reverse IMP VI COS III, Roma seated left, extending Victory in right, verticle spear in left, large shield at side; fantastic high-relief portrait, reverse struck with worn dies; rare variety.


Obverse/reverse image


From the ruins of the Roman villa of Chiragan.

5269. Silver denarius, RIC 229a, C 198, BMC 806, UNC, 3.48g, 18.6mm, 180o, Rome mint, 153-154 A.D.; obverse ANTONINVS AVG PIVS P P TR P XVII, laureate head right; reverse COS IIII, Vesta standing left holding simpulum and palladium; mint luster.


Obverse/reverse image


From the ruins of the Roman villa of Chiragan.

8046. Silver denarius, RIC 2, RSC 256, aVF, Rome mint, 2.73g, 16.1mm, 0o, 193 A.D.; obverse IMP CAE L SEP SEV PERT AVG, laureate head right; reverse LEG I ADIVT TR P COS, legionary eagle between two standards; nicely toned with great early portrait; scarce.


Obverse/reverse image


From the ruins of the Roman villa of Chiragan.

2261. Silver denarius, RIC 6, RSC 53, BMC 193, VF, Rome, 3.03g, 16.0mm, 0o, as Caesar, 198 A.D.; obverse M AVR ANTON CAES PONTIF, draped and cuirassed bust right; reverse DESTINATO IMPERAT, sacrificial implements: lituus, apex, bucranium, simpulum; attractive portrait; scarce.


Obverse/reverse image


From the ruins of the Roman villa of Chiragan.

12106. Silver denarius, RIC 18, RSC 157b, S 2018, choice EF, 3.329g, 19.1mm, 180o, Rome mint, as Caesar, 200 - 202 A.D.; obverse P SEPT GETA CAES PONT, boy's bare-headed and draped bust right; reverse PRINC IVVENTVTIS, Geta standing left holding branch and spear, trophy of arms behind; mint luster, full circle centering.